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Revision as of 17:56, 16 June 2019
The Osaka Workers' Uprising of 1990 was a working class uprising in the Nishi-Nari ward of Osaka, Japan.
Background
October 2nd, 1990. The day started as any other does in Osaka's Nishi-Nari ward, men lined up around the yoseba employment center, in the thousands, waiting for work. If it came, they would load into the cars of construction contractors in groups, with parachute pants and wrapped heads. For eight hours they might wave light wands 'guiding pedestrians', dig concrete roads, re-pave highways or variously break their backs in the sun.
This proletarian fate was ceded by the city's bourgeoisie over a period of thirty years of continuous unemployed unrest; all the union officials touted it as labor 'won' from an inhuman system. After all, without work, one does not eat, and once conditions have worsened to the point that this phrase becomes dictatorial, one works in a fervor; for work leads to 'independence'. Work might one day lead out of the slum. If work didn't come, the men wait out lunch and line up for the daily workfare handout, set aside for 'unsuccessful job-seekers'.
This yoseba is in Kamagasaki, a neighborhood of poverty and celebration, a breathing lung, where the yakuza patrol day-workers with icy looks and stashed weapons; at occupied 'triangle' park, men, dogs and blue canvas spill out into the street sides. Udon and soba are served at improvised stool stands roofed with canvas. Women and men prepare boxed lunches, noodles and Okinawan fare at shops lining the crowded avenues. Just to the east the brothel neighborhood of Tobita sits in expectant dormancy, for the night will soon fall.
The slum is quiet. For the city hall and the construction capitalists, it was just another Tuesday. There were multiple flashpoints, like any riot, origins that became history for the individuals and groups that experienced them. For most, the riots began with friends running past, heaving paving stones at the police. But most will point to an account of an old homeless man in the Namba theater district, north of Kamagasaki. Police on patrol had stopped at his improvised blue canvas house, berating him to leave the sidewalk.
The man (known by most as 'a bit bizarre') unleashed his dog, which quickly sunk its teeth into a senior patrolman. After a struggle, he was surrounded by police and beaten as a crowd gathered, consisting of other homeless people and some day-workers. Hauled away and arrested, the angry crowd followed the car to the Nishinari police station. News spread on sprinting legs to the enormous yoseba hiring hall in the south, circulating among groups of day laborers.
Without any particular confrontation, a few 'troublesome' workers were pulled aside by the yoseba police patrol and in front of thousands, beaten. The neighborhood exploded. Yoseba day-workers, witnesses in their thousands, took their comrades back and drove the police from the hiring hall, swarming outward like blood through Kamagasaki's lungs. Crowds formed here and here, with a general movement towards the police station, from which the police re-emerged.
A rain of stones fell. After the volleys reached a temporary abatement, barricades were quickly erected, bicycles ignited with cheap lighter fluid, stacked and burned, dumpsters dragged into the street. Capital's tendency to crisis, the proletarian form, was erupting. The police retreated in order to barricade the neighborhoods, to shut off the arteries that connect Kamagasaki to the north, south, east and west. A classic siege strategy was put into action punctuated by sudden, violent streams of steel-shield armed police into the neighborhoods.
Mobile riot squads surrounded the area with armored buses and paddy wagons, and soon lined the boulevards in columns with five foot steel shields. All the forces of government and private capital arrived to contain thousands of revolting workers and rapidly arriving allies, to circumscribe a space that was impassable for the surging rage of the rioters. Media vans pulled up and were stoned if they attempted to penetrate the riot line and 'get the real story'. In several cases cameras were sought after and smashed.
All footage of the events comes from behind police lines. Advances by the cops were met with volleys of objects flung from the parapets of apartment buildings by the unemployed, workers and housewives. At times, the riot constituted itself as a castle pocked with archers. When the first barricaded day slipped into night, the cars of the construction barons were smashed and degraded. Parks that had been evicted of squatters had their locks broken and were re-taken.
The insurrection faced its own limit, against the borders of space drawn by the state and its own projectuality. Discussions arose everywhere on where to go next. Many feared that the riotous action would blacklist the neighborhood from construction contracts, that the yoseba would close like the one in Tokyo had just a year earlier, that poverty would worsen. Most gazed over the surrounding steel buses of the riot police and saw the impossibility of expansion, of the riot spreading to other sectors.
NGO workers and city hall mediators arrived urging people to 'calm down', that police violence could be 'addressed'. But these particular beatings were only moments on a continuum of violent surveillance and control. There was no doubt that the situation was in fact rapidly worsening as police ran wild in the streets, smashing skulls and faces with steel pipes and shields. The Kamagasaki population was at open revolt with the organs of repression, most saw no way back to 'normality'.
Buses and sound-cars of the unions and organizations of the unemployed mobilized from their garages and circled the neighborhood, providing a temporary barrier; they eventually moving through police lines, broadcasting messages to a wider portion of the city. Night fell again."I edged back to the crowd. From behind me, someone yelled 'Aim for the lights!'. Stones were thrown aiming towards the lights of TV cameras stationed behind the riot squad.I entered the crowd.
No one took any notice of the camera that I held in my hand. After a while, a man spoke to me. 'Are you from the news papers?' When I answered no, he said, 'If you are, you are going to get killed.'" -anonymous observer at Kamagasaki As the riot entered into its third, fourth day the city's strategy was in continual escalation. The rioting, unarmed workers were meat for the mobile riot squads. Largely defensive formations changed into charges, five-foot steel shields were leveled against the flesh of the disgusted.
Barricades collapsed or were extinguished, and the police made real progress into the neighborhoods. If the streets could be cleared, then the tear-gas buses and paddy wagons could move in. Hundreds of the most militant were chased south into a union building where the insurrection made its last, unarmed stand. Concurrently and further south, partly in inspiration from the Kamagasaki rebellion, a youth revolt had exploded, spearheaded by 'speed tribe' gangs on motorcycles who fought the police in skirmishes.
This rebellion was contained even quicker, and most of the young rioters found themselves chased into the same building with the older workers. There would be no cavalry for Kamagasaki. The building was taken with tremendous violence. The 22nd riot in the neighborhood's 30 year history had ended. Despite the arrest and imprisonment of many, over the next four years there would be more small riots, sporadically, where the police or contractors were targeted. When unrest broke out, other workers would come running; construction contractors dodging back-wages found themselves at the mercy of mobs.
People took inspiration from the riots that raged through the neighborhoods throughout the 1960s, contestation, above all was the agenda! The strategy against the riot by the city and the bourgeoisie was drawn from every lesson learned in the past forty years of class struggle in post-fordist Japan. Initial direct force, followed by the deployment of mediators, the deployment of advanced technological means of repression, filtering of news about the riots, news blackouts, concluding in total geographical isolation of the proletarian ferment.
Riots can not be permitted to spread to other sectors, and therefore Japanese capital's only strategy against the eruption of its own contradictions is containment. MUZZLED CONTRADICTIONS, STRANGLED PROLETARIANS The riots of the 1990s took place amid the massive restructuring of the 1980s and the economic crisis of 1989 as the investment 'bubble' burst and the promise of a Japanese 'prosperity' proved hollow. Already migrant workers from Okinawa and Tokyo had taken up park occupations all over Osaka, not to mention Nishi-nari ward and the Kamagasaki neighborhood.
Improvised huts, roofed with blue tarp, decorated with paint, junk, sometimes city free jazz schedules and at the very least posters of famous female crooners holding beer mugs, sprung up all over the city. The huts were statements of autonomy, arising from the immediate inability of newly-arrived workers to afford housing; as a strategy the 'tent villages' blanketed the city, in order to stake out an existence independent of the welfare state's institutionalization. Out of the riots, the workers' movement in Kamagasaki re-composed into union coalitions.
NGOs replaced the direct discipline of police batons as their mediating roles were appreciated by the city in halting unrest. 16 surveillance cameras at major intersections and shopping streets were installed in Kamagasaki alone. Over 1990-1995, the men at city hall dumped all the previous strategies, and Kamagasaki moved from a zone of discipline to one of control, from containment of outburst to total regulation; the unemployed were channeled, mediated and surveilled like never before; what could once communicate itself as a struggle of autonomy against the control apparatus was now more and more forced to speak the language of social peace.
Park occupations were slowly apologized for as a response to the poverty of the city's institutional shelters as well as the lack of viable jobs, instead of their obvious essence, areas autonomous from capitalist time, characterized by relaxation, karaoke songs and games like go and shogi. The occupations were attempts to attain a moderately bourgeois standard of living, actualizing in motion, against an ocean of industrial poverty.
Continual violence and harassment by yakuza and police managed to dull the direct-action strategy of spiteful day-workers as well as the heaviest strategies by newly radicalized unions, who quickly transformed into facilitators of ritual action: such as protest marches completely surrounded by police, food handouts and supplication to city officials at any level of struggle. "As real subsumption advanced it appeared that the mediations of the existence of the class in the capitalist mode of production, far from being exterior to the 'being' of the class which must affirm itself against them, were nothing but this being in movement, in its necessary implication with the other pole of society, capital."- Theorie Communiste